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1. "A Call Girl is" BY Liu Dao

  • Published: 2015-11-29T10:07:27+00:00
  • Duration: 34
  • By Liu Dao

“A prostitute is a decent worker like the rest of us, only she can’t fake what she is doing.” -M.F. Moonzajer No I am not a prostitute, I am a call- girl and for your information it’s a job, just like any other one (and yes mine is just as voluntary as yours). The thing is, older men have always been especially fond of me. Most of them notice immediately that I’m naturally quite charming. I’ve had countless adventures with people in different environments, and from different background although, yes, these encounters mostly end with us fucking. I operate with a thin sheen of superficiality that has become second nature to me, maybe even first now. Great courtesans throughout history were often knowledgeable about a variety of subjects and spoke multiple languages and such. They were able to seduce because they had great minds to go along with their looks. I may not have the best of either but I’ll sure make you think I do, I only really need to keep up the act for an hour or so anyway. ARTIST: Liu Dao 六岛 MEDIA: RGB LED display, transparent Lambda C-print mounted on one-way glass, black stained teakwood frame EDITION:Unique DATE:Made in island6, Shanghai 2015 SIZE:61(W)×61(H)×7.8(D) cm | 2′0″(W)×2′0″(H)×0′3″(D) inches CREDITS:Zhang Tian Yi 张天伦 (performance) • Thomas Charvériat (art direction, photography & technical guidance) • Jean Le Guyader (documentation) • Yeung Sin Ching 杨倩菁 (production supervisor) • Adam Hsieh 谢昕 (production supervisor) To see more, please visit:http://island6.org/ACallGirlIs.html


2. HUAN DAO 環島 - Trailer

  • Published: 2009-11-03T08:06:00+00:00
  • Duration: 55
  • By norbert shieh
HUAN DAO 環島 - Trailer

HUAN DAO 環島 - (aka "Passages") Two brothers attempt to reconnect in the Taiwan countryside after several years apart. Official Selection 2012 NewFilmmakers NY 2012 Big Muddy Film Festival 2011 Vancouver Asian Film Festival 2011 San Diego Asian American Film Festival 2011 Rome International Film Festival 2011 Los Angeles Asian Pacific Film Festival Certificate of Merit at Rochester International Film Festival CAST: Zhi: William Chen Yong: A-Jay Lin CREW: Directed/Written By: Norbert Shieh Produced By: Jacqueline W. Liu, Lin Qiu, Norbert Shieh. Associate Producer: Chingya Wang Cinematography: Sean Marc Lee Production Coordinator: William Chen Assistant Director: Lin Qiu Art Director: ChingWen Hsu (Carina) Casting Director: ShunWen Yu (Vivian) Sound Recordist: Jake Mumm PRODUCTION BLOG: http://passagesfilm.blogspot.com WEBSITE: http://norbertshieh.com/films/huan-dao/


3. "Precisely the Amount of Feathers" (羽毛精确的数量) island6 Liu Dao

  • Published: 2014-12-10T07:48:20+00:00
  • Duration: 42
  • By Liu Dao

A fully grown chicken has about 1,500 feathers. Make of that what you will. Maybe tell a prospective boss at a job interview or something to impress him or her with your wide berth of strange and generally unusable knowledge. Or. If you get really lucky, then two things might occur. First, someone might ask you or a group of people how many feathers a chicken has. Secondly, you will remember that you read this (and that the number was 1,500) whereupon you’ll tell them and look like either a fun tidbit wiz or quick-witted joker. Speaking of feathers though: high quality feather dusters are made with ostrich feathers. This is because sstrich feathers have tiny barbules that act as tiny fingers when they encounter dust. They are most often used on or around electronics due to their natural resistance to static electricity and are generally inexpensive. Again, speaking of feathers (which, I’ll admit, I brought up) the bird with the fewest feathers is the Ruby Hummingbird, which has 940 in total. The title of most feathered goes to the Whistling Swan, which has been known to wear as many as 25,000 during winter months. Maybe you’ll need this information sometime and you’ll be glad you made it through this and that you have a good memory. TITLE: "Precisely the Amount of Feathers" (羽毛精确的数量) ARTIST: Liu Dao 六岛 MEDIA: RGB LED display, acrylic painting, paper collage, teakwood frame EDITION: Unique DATE: Made in island6, Shanghai 2014 SIZE: 103.5(W)×103.5(H)×5(D) cm | 41(W)×41(H)×2(D) inches CREDITS : Katrina Louy 卡萨琳娜 (performance) • Jin Yun 金云 (painting) • Thomas Charvériat (art direction & technical guidance) • Anto Lau (art direction & animation) • Jean Le Guyader (documentation & photography sourcing) • Yeung Sin Ching 杨倩菁 (production supervisor) • Mark Mehanni (casting) • Adrian Tyus (video documentation) • Jiang Linping 江琳萍 (video assistant) For more information: http://www.island6.org/LiuDao838.html


4. ECCO SS17 Fashion TVC

  • Published: 2017-08-01T08:47:24+00:00
  • Duration: 30
  • By Gary Yong
ECCO SS17 Fashion TVC

Directed by Gary Yong Exec. Producer/Producer: Wallace Wang Production Company: DAO Marketing Starring: Liu Tao 刘涛, Zhu Yawen 朱亚文 Vocalist: Travis Clarke


5. Schön! 21 / Harmony by Yin Chao

Schön! 21 / Harmony by Yin Chao

Photographer / Yin Chao Video Director / Dong Hao @ SUPERSTUDIO Styling / Coke Ho Make Up / Daniel Zheng Hair / Chen Tao Model / Liu LiJie & Xue Dong Gi Special Thanks to Han Qing Tea Studio, Xiang Tu Xiang Qin, Song Feng Hao, Zhi Yin Tang, Shan Yin Hua Dao,Yu Cha Du, Ru Ru Tang


6. ECCO SHAPE AW16

  • Published: 2016-08-16T03:30:53+00:00
  • Duration: 30
  • By Gary Yong
ECCO SHAPE AW16

nationwide campaign for AW16 ECCO CHINA SHAPE, starring Chinese actress Liu Tao 刘涛. Directed by Gary Yong Produced by Wallace Wang, Dao Video, Shanghai.


7. Gao Tieniao

Gao Tieniao

Gao Tieniao performing at the Liu He Ba Fa Conference 2007 in Huainan, Anhui. A part of the form is missing after 1.20 min. I chose to upload the file anyway as Mr. Gao Tieniao's LHBF version is very interesting. His teacher was Li Dao Li.


8. PIAGET - 2018 SUNNY SIDE OF LIFE with YangMi - Commercial

  • Published: 2018-05-08T14:59:18+00:00
  • Duration: 51
  • By Sam Iwata
PIAGET - 2018 SUNNY SIDE OF LIFE with YangMi - Commercial

Client: Piaget(伯爵) Brand: Piaget Possession Jewellery Products: Jewellery Agency: Direct client Production: 38pro Production Co Production: Spunk Executive Producer: Sam Iwata Producer: Jason Chen 陈剑 Producer: Tan Pipatpolkul Production Manager: Kob Khomkrich Director: Shigeto Rage Sayama 1st AD: Kwang Nakata DOP: Ximen Lu 陆希璊 Gaffer: Tony Prakarn Art Director: Ping Tan 陈宏斌 Prop master: Payod / Ake Sakda 1st unit styling for Celebrity: Alexander Liu 刘亚莉 2nd unit styling for Extra Talent: Dao Damros Choreographer: Egg Chayanuch Casting Director: Nat Kaophorphanich Head of Runner: Location manager: Mo Kajeedej Post Production: Offline Operator: Shigeto Rage Sayama Color Grade Artist: Zhang YingJie 张英杰 Online Operator: May Li 李心慧(色谷) Celebrity: YangMi 杨幂 Special thanks to Gordon Tan and Davis Koh OA: 2018.05.10 @Piaget @Piaget China


9. Golden Forest

  • Published: 2018-03-26T11:26:13+00:00
  • Duration: 71
  • By KAAREM
Golden Forest

A production by KAAREM DIRECTED BY: Bruce Thierry Cheung Andinh Ha MUSIC COMPOSER: Đào Tùng FEATURING: Tracy Ju EDITED BY: Khayyam Khan STYLING: Sisi Liu HAIR & MAKE-UP: Ayaka Nihei CREATIVE DIRECTOR: Chuong Pham PRODUCER: Kathy Minh Bach SPECIAL THANKS TO Chananun Chotrungroj Ronnie Lin Denise Leong Amy Yang Ritchie Yao Khuyên Lại The Kaarem Studio Team


10. "Hanging Out For The Summer Sun" (夏日长)

  • Published: 2013-10-14T06:23:12+00:00
  • Duration: 44
  • By Liu Dao

ARTIST Liu Dao 六岛 MEDIA RGB LED display, Giclée print face-mounted on plexiglass, stainless steel frame EDITION Unique DATE Made in island6, Shanghai 2013 SIZE 200(W)×80(H)×8(D) cm | 79(W)×31.5(H)×3.5(D) inches CREDITS Loo Ching Ling 吕晶琳 (video assistant) • Yeung Sin Ching 杨倩菁 & Guan Yan 官彦 (production coordination) • Thomas Charvériat (art direction & technical guidance) • Olga (performance) • Fabrice Amzel (video animation) • Jean Le Guyader (documentation) • Loo Ching Ling 吕晶琳 (production supervisor) A line of clothes hang in a silent lilong 里弄lane. A sluggish breeze sends damp T-shirts, sodden skirts and dripping trousers slapping wetly against the old walls of the lane house behind it, a bricked building which has taken on many new identities in last decade of its quiet 120-year existence - a preservation site for history enthusiasts, a pain in the neck for property developers, a non-entity for the new generation of Shanghai-ites. But until recently, it has been the roof over the heads of an invisible family, whose limp laundry is now displayed like humble tokens of fading existence outside their dwelling. Where are human halves of these soggy shirts now? Working, playing, loving, studying, facelessly walking the packed streets of Shanghai - Liu Dao re-assembles the absent souls of these empty garments so we can watch their surreal conversation in the summer sun, which evaporates not only traces washing liquid but the fears and aspirations of a disappearing community.


11. Golden Forest

Golden Forest

A production by KAAREM DIRECTED BY: Bruce Thierry Cheung Andinh Ha MUSIC COMPOSER: Đào Tùng FEATURING: Tracy Ju EDITED BY: Khayyam Khan STYLING: Sisi Liu HAIR & MAKE-UP: Ayaka Nihei CINEMATOGRAPHY Bruce Thierry Cheung CREATIVE DIRECTOR: Chuong Pham PRODUCER: Kathy Minh Bach SPECIAL THANKS TO Chananun Chotrungroj Ronnie Lin Denise Leong Amy Yang Ritchie Yao Khuyên Lại The Kaarem Studio Team


12. "Aima Under The Water" (水中的艾玛)

  • Published: 2015-07-01T06:45:14+00:00
  • Duration: 35
  • By Liu Dao

All we know of our billions of years of natural history comes from fossils that paleontologists have uncovered in rock outcrops, ice blocks, and mud layers. From these tiny snippets of information, we make the largest, wildest hypotheses about what the world was like in a time that would be unfathomable to any us today. What would future scientists study to learn more about our age and time? Liu Dao captures a moment in time in the artwork "Aima Under The Water", a companion piece to"Swirls of Fluids". Like a digitized fossil made of diodes, LEDs and circuitry, Aima swims through the centuries, not encased in mud or shale but in a stainless steel tower, and just like the fossils that have given us so much knowledge, similarly enduring and full of life. [Loo Ching Ling 吕晶琳] ARTIST: Liu Dao 六岛 MEDIA: LED display, stainless steel structure EDITION: Unique DATE: Made in island6, Shanghai 2011 SIZE: 22(W)×104(H)×22(D) cm | 8.7(W)×41(H)×8.7(D) inches CREDITS : Aima (performance) • Loo Ching Ling 吕晶琳 (video) • Thomas Charvériat (art direction & technical guidance) • Pete Bradt (choreographer) • Clare Jacobson(production assistant) • Zhang Leihua 张雷华 (production coordination) To read more please visit: http://island6.org/AimaUnderTheWater.html


13. MV | 張靓穎 Dust My Shoulders Off - Jane Zhang Dust My Shoulders Off

  • Published: 2016-11-08T06:17:51+00:00
  • Duration: 221
  • By Grass Jelly
MV | 張靓穎 Dust My Shoulders Off - Jane Zhang Dust My Shoulders Off

Client:Beijing Showcitytimes Entertainment Co., Ltd. 北京少城時代文化傳播有限公司 Producer:Michael Feng 馮柯 Producer:Jim Beanz Executive Producer:Timbaland Lyricist / Composer:Jim Beanz, Jane Zhang Artist Management:Momo Xia夏茉含 Production Coordinator:Bryan Yu于丹陽 Production team:OUTERSPACE 太空設計 Director:Liao Jen Shuai 廖人帥 Dop:Kedy Yu 游凱迪 Producer:Olan Huang 黃黑輪 Asst. Producer:Joe 蕭銘峻 Art Director:Premo Fang 方聖翔 Asst. Art Director:Emily Tsai 李碧芹 Texture Artist:Frank Chen 陳新發 Gaffer:Ming Che Sung宋明哲 Best Boy:Yu Jun Yu 余毓鈞 / Zhen Rong Wu吳振榮 / Yi Tai Lee李易泰 Asst. Camera:Bo Yan Chen 陳柏言 Design & Animation DEPT:Grass Jelly Studio 仙草影像 Executive Producer:Muh Chen 陳奕仁 VFX supervisor:Weiting Chen 陳威廷 Project Manager:Iris Liao 廖梓雯 Financial Manager:Lulu Chen 陳奕如 Producer‘s Assistant:Dora Tsai 蔡靜霈 / Grace An安晨 3D Animator: Greg Miao苗天雨 Nigel Huang 黃勗 Ben Lam藍俊彬 Janet Wang 王玨凝 Jia Hao Cho卓家豪 Compositing: Greg Miao苗天雨 Nigel Huang 黃勗 Ben Lam藍俊彬 Janet Wang 王玨凝 Compositor‘s Assistant: Wen Ting Li 李文婷 3D Animator‘s Assistant: Youzi Su 蘇袖惠 Designer: Ida Chen 陳志育 Yang Hsi Hsiao 蕭羊希 Stylist: Yiko Lee李懿格 / Hsin Lun Lee 李欣倫 / Chang Hsuang Ling 張瑄玲 / Franz Chen 陳泓普 Camera Rental:Taipei Di Cinema LTD. 宏達數位影業有限公司 Lighting Grips Rental:Arrow Cinematic Group 阿榮影業股份有限公司 Support Equipment:LEE RONG FILM & TV EQUIPMENT CO. 力榮影視器材有限公司 Art Director:Chen Dao Lee 李承道 Assistant Art Director:Mr. Ogay 黑雞先生 / Pei-Hang Huang黃沛涵 / Yo Yu Cheng 陳又妤 Make-up for Jane:Miao Miao Shen 沈妙玲 Hair Stylist for Jane:Ethan Yao 姚介堃 Choreographer:Shou Jie Wang王守婕 Dancers: Ashley Liu 劉芙綾 / Penny Tsai蔡儀蘋 / Karen Kuo郭靜婷 Shujui Wang汪書瑞 / Clio Vanille / Stephanie Hesterberg Actor: Stephane-Albert Laville / Junior Caesar / James Hassan / Yurkova Olena Cheng Kang Chen陳正剛 / Yi Ru Chen陳奕如 / David Malcolm Daugherty Behind-the-scenes:8ID


14. gmdc.mp4

gmdc.mp4

March 7 & 8, 8PM @ Vancouver Playhouse Guangdong Modern Dance Company (China) with Goh Ballet (Vancouver) Select Works/Mustard Seed The VIDF opens its Vancouver Playhouse series with the Guangdong Modern Dance Company, China’s oldest professional modern dance company, and Vancouver’s Goh Ballet sharing an enjoyable evening of contemporary dance and ballet. Goh Ballet treats Vancouver to the Walspurgisnacht Ballet by George Ballanchine, the foremost contemporary choreographer in the world of ballet, while GMDC makes its Vancouver debut with Voice After, a work choreographed by its resident choreographer Liu Qi. Inspired by the poetry of Bei Dao, Liu Qui depicts the tranquility of ocean waves, flocks of gulls, and the hidden storm surging below. The evening culminates with the premiere of Mustard Seed, also choreographed Liu Qi, but combining the dancers of both GMDC and Goh Ballet to create a large scale work that bridges the Pacific Ocean by connecting the vibrant energies and technical virtuosos of these two companies. Walpurgisnacht Ballet (From Gounod’s Faust) Choreography: George Balanchine Music: Charles Francois Gounod Staged by: Ben Huys Performance: Goh Ballet Company Premiere: May 15, 1980, New York State Theatre/ *© The George Balanchine Trust Voice After Choreography: Liu Qi Performance: Guangdong Modern Dance Company Music: Paul Dresher Mustard Seed Choreography: Liu Qi Performance: Guangdong Modern Dance Company and Goh Ballet Music: Tom Lee Pettersen


15. "Meditation" (冥想)

  • Published: 2013-10-11T05:40:10+00:00
  • Duration: 46
  • By Liu Dao

ARTIST Liu Dao 六岛 MEDIA RGB LED display, paper collage, Chinese papercut (Jian Zhi 剪紙), teakwood frame EDITION Unique DATE Made in island6, Shanghai 2013 SIZE 103.5(W)×103.5(H)×9(D) cm | 49(W)×49(H)×3.5(D) inches CREDITS Yeung Sin Ching 杨倩菁 (performance) • Thomas Charvériat (art direction & technical guidance) • Jean Le Guyader & Thomas Charvériat (video) • Guan Yan 官彦 (production supervisor) • Tang Dashi 汤大师 (Chinese paper cutting 剪紙) • Fabrice Amzel (production assistant) Her countenance was as peaceful as a calm evening in the hush of the trees and the still of the moonlight. She breathed in the grandeur of nature, as simply beautiful and unprompted as a mountain or a cloud. She exuded an atmosphere as wistful as the soft glow of twilight. As night fell, with gentle upward striving, still poising, she crept up softly with a silent-swaying slide. The quiet, irresistible approach. It was all pure.


16. 【Karry Wang feat. Roy Wang 王俊凯x王源】Hello Tomorrow 明天你好 MV【KarRoy凯源频道】

  • Published: 2015-06-13T09:41:48+00:00
  • Duration: 271
  • By Karry Roy Wang
【Karry Wang feat. Roy Wang 王俊凯x王源】Hello Tomorrow 明天你好 MV【KarRoy凯源频道】

【Karry Wang feat. Roy Wang 王俊凯x王源】Hello Tomorrow 明天你好 MV【KarRoy凯源频道】 Lyrics in English: Watch as the 'us' of yesterday walk further away In the center of the destiny's public square we wait The fuzzy image of shoulders Gradually shrinking as they run off into the distance The friends that we once walked side by side with After we drink to our happiness, are lost to one another Though that particular night Will always be buried deep within my heart Once grown up, I can only but run Afraid to tumble straight into the darkness To tomorrow, hello. I smile with tears in my eyes The more beautiful, the more afraid I am to possess it After every cry, I will smile running forward Losing and finding something as I go along To tomorrow, hello. Even in a small voice But it jolts me awake to the meaning of courage When I walk in the opposite direction Huddled in the corner of the stairway I seek courage Shoulders visibly shaking as I weep I ask myself, where am I? The friends that we once walked side by side with They wordlessly understood my suffering Time, it lies constantly Those shoulders have never been lost to me Once grown up, I can only but run Afraid to tumble straight into the darkness To tomorrow, hello. I smile with tears in my eyes The more beautiful, the more afraid I am to possess it After every cry, I will smile running forward Losing and finding something as I go along To tomorrow, hello. Even in a small voice But it jolts me awake... Once grown up, I can only but run Afraid to tumble straight into the darkness To tomorrow, hello. I smile with tears in my eyes The more beautiful, the more afraid I am to possess it After every cry, I will smile running forward Losing and finding something as I go along To tomorrow, hello. Even in a small voice But it jolts me awake to the meaning of courage Lyrics in Chinese: 看昨天的我们 走远了 在命运广场中央 等待 那模糊的 肩膀 越奔跑 越渺小 曾经 并肩往前的 伙伴 在举杯 祝福后都 走散 只是那个 夜晚 我深深 的都留藏在心坎 长大以后 我只能奔跑 我多害怕 黑暗中跌倒 明天你好 含着泪微笑 越美好 越害怕得到 每一次哭 又笑着 奔跑 一边失去 一边在寻找 明天你好 声音多渺小 却提醒我 勇敢是什么 当我朝着反方向走去 在楼梯的角落 找勇气 抖着肩膀 哭泣 问自己 在哪里 曾经 并肩往前 的伙伴 沉默着 懂得我的委屈 时间它总说谎 我从 不曾失去 那些肩膀 长大以后 我只能奔跑 我多害怕 黑暗中跌倒 明天你好 含着泪微笑 越美好 越害怕得到 每一次哭 又笑着奔跑 一边失去 一边在寻找 明天你好 声音多渺小 却提醒我 长大以后 我只能奔跑 我多害怕 黑暗中跌倒 明天你好 含着泪微笑 越美好 越害怕得到 每一次哭 又笑着奔跑 一边失去 一边在寻找 明天你好 声音多渺小 却提醒我 勇敢是什么 Lyrics in Romanised Pin Yin: kàn zuó tiān de wǒ men zǒu yuǎn le zài mìng yùn guǎng chǎng zhōng yāng děng dài nà mó hú de jiān bǎng yuè bēn pǎo yuè miǎo xiǎo céng jīng bìng jiān wǎng qián de huǒ bàn zài jǔ bēi zhù fú hòu dōu zǒu sàn zhī shì nà gè yè wǎn wǒ shēn shēn de dōu liú cáng zài xīn kǎn zhǎng dà yǐ hòu wǒ zhī néng bēn pǎo wǒ duō hài pà hēi àn zhōng diē dǎo míng tiān nǐ hǎo hán zhe lèi wēi xiào yuè měi hǎo yuè hài pà dé dào měi yī cì kū yòu xiào zhe bēn pǎo yī biān shī qù yī biān zài xún zhǎo míng tiān nǐ hǎo shēng yīn duō miǎo xiǎo què tí xǐng wǒ yǒng gǎn shì shí me dāng wǒ cháo zhe fǎn fāng xiàng zǒu qù zài lóu tī de jiǎo luò zhǎo yǒng qì dǒu zhe jiān bǎng kū qì wèn zì jǐ zài nǎ lǐ céng jīng bìng jiān wǎng qián de huǒ bàn chén mò zhe dǒng dé wǒ de wěi qū shí jiān tā zǒng shuō huǎng wǒ cóng bú céng shī qù nà xiē jiān bǎng zhǎng dà yǐ hòu wǒ zhī néng bēn pǎo wǒ duō hài pà hēi àn zhōng diē dǎo míng tiān nǐ hǎo hán zhe lèi wēi xiào yuè měi hǎo yuè hài pà dé dào měi yī cì kū yòu xiào zhe bēn pǎo yī biān shī qù yī biān zài xún zhǎo míng tiān nǐ hǎo shēng yīn duō miǎo xiǎo què tí xǐng wǒ zhǎng dà yǐ hòu wǒ zhī néng bēn pǎo wǒ duō hài pà hēi àn zhōng diē dǎo míng tiān nǐ hǎo hán zhe lèi wēi xiào yuè měi hǎo yuè hài pà dé dào měi yī cì kū yòu xiào zhe bēn pǎo yī biān shī qù yī biān zài xún zhǎo míng tiān nǐ hǎo shēng yīn duō miǎo xiǎo què tí xǐng wǒ yǒng gǎn shì shí me (Lyrics Credit: http://echowillow.livejournal.com/76169.html)


17. "Life On A Wing" (生命律动)

  • Published: 2013-03-31T05:06:34+00:00
  • Duration: 35
  • By Liu Dao

ARTIST Liu Dao 六岛 MEDIA Acrylic painting, RGB LED display, paper collage, teakwood frame EDITION Unique DATE Made in island6, Shanghai 2013 SIZE 103.5(W)×103.5(H)×9(D) cm | 49(W)×49(H)×3.5(D) inches CREDITS Xu Yihan 徐义涵 (painting) • Thomas Charvériat (art direction & technical guidance) • Fabrice Amzel (video animation) • Jean Le Guyader (documentation) • Guan Yan 官彦 (production supervisor) “Once upon a time, Zhuangzi dreamed that he was a butterfly, flying about enjoying itself. It did not know that it was Zhuangzi. Suddenly he awoke, and veritably was Zhuangzi again. He did not know whether it was Zhuangzi dreaming that he was a butterfly, or whether it was the butterfly dreaming that it was Zhuangzi.” [Chuang Tzu, "The Zhuangzi Book"] Butterflies have always captured the human imagination. Flitting around in the balmy springtime air they serve as reminders of a pre-modern age of innocence and spontaneity. A butterfly’s life is transient, often no longer than a week. Entirely subconsciously they seem to live for the moment, with no regard for the traumas of the past, no anxiety about the unknown of the future. The thrill is in the flight, not the destination.


18. YUEN HSIEH X CHANEL | FIRST MEMORY PAWNSHOP FOR CHANEL

  • Published: 2017-01-06T11:11:33+00:00
  • Duration: 155
  • By YUEN.HSIEH
YUEN HSIEH X CHANEL | FIRST MEMORY PAWNSHOP FOR CHANEL

FIRST MEMORY PAWNSHOP X CHANEL In past Neo Taipei’s collectivist society system, each resident was assigned to a certain role and identity. Adult male were work warriors; adult female were ideal mothers and wives ; juveniles were test machines caged in invisible uniforms. The beautiful future could be expected if you followed the right path of norms and rules. 《 First Memory Pawnshop 》, a brand-new service brought by Shiya Corp, initially is in response to Taiwanese eugenics policy. This service is planned to assure the healthy growth of all underaged registers and to become the future elites in the society. The registers can keep/discard/reset the memory of certain period at their sole discretion before reaching the legal age. In the process of resetting the first memory, the pawnbroker assesses the value and uniqueness of the memory-related object to determine to accept or not, and the collateral and memory will be both retained in the shop for 30 days as loan term. The borrower can redeem the collateral and memory before the end of the loan term, if the loan is repaid at higher interest plus the handling fee. Otherwise, the pawnbroker will forfeit the collateral and also resell the memory. To avoid receiving stolen items, the pawnbrokers normally would ask the police to keep the collateral for 21-30 days. One day , when Ching Wu was on her way to work, she accidentally heard the conversation inside the First Memory Pawnshop between the delivery boy, Huang Ho, and the boss of betel nut stand, Hsin Tsou. She then seriously considered to continue the in-system way of life or just take the uniform off and reset her life by pawning her memory. CREDITS Client | CHANEL Taiwan Distributed | PPGROUP Presenter | Ive Hu Director | Yuen Hsieh Associate Director | Shu Fei Zou Producer | Sheng Hong Yu Executive Producers | Gene Ku Chien , Evannis Ma , Clyed Liu Starring | Ann Hsu , River Huang Production House | Sika Film Production Assistants | Casper Chiu , Shi Chen , Chen Yu Jiang Creative Director | Gene Ku Chien Director of Photography| Wei Yu Tseng First Camera Assistant | Yung Sen Lin Camera Assistants | Ji Hong Lai , Che Meng Tsai Production Design | Shao Chu Huang Art Department Assistants | Guan Ni Chen , Yu Chen Hong , Mitty Chung Gaffer | Yi Hua Chang Lighting Assistants | Chien Chi Chang , Chih Yuan Cheng , Ting Feng Chiang Key Grip | Bryan Lin Grips | Si Wei Lin , Ming Chun Kao , Yeh Lin Extra | Hsuan Ju Cheng , Xin Ju San , Yu Chen , YI Lun Chen , Dao Yu Lin Editor | Yuen Hsieh , Shu Fei Zou Post | Shu Fei Zou Animation | Klaire Chen Typography | Shu Fei Zou , Klaire Chen Music | Tzusing Tu Styling Artists | Gene Ku Chien , Yuyi John Styling Artists assistant | Yiwen Wang Lead Hair Artist | Liren Wei Hair Styling Artists | Stanley Hsu , Adam Lee , Candy Huang , Marlin Lin , Eon Hsu Hair assistants | Wilson Lin , Bonny Lin ,Stacy Lau Make Up Artists | Yi Li Chen , Hong Shen Chen Tattoo Artist | 彫易 Hori Ho Dress and Accessories | CHANEL Special Thanks | Dickies , Lin Miao Jung , IRENE SJ YU , NLF , Fevolution ©2017 YUEN HSIEH


19. "7 Candies Is Equivalent To One Glass Of Milk" (7颗糖换一杯牛奶)

  • Published: 2013-09-24T09:53:38+00:00
  • Duration: 34
  • By Liu Dao

ARTIST Liu Dao 六岛 MEDIA RGB LED display, one-way glass, teakwood frame EDITION Unique DATE Made in island6, Shanghai 2013 SIZE 41(W)×41(H)×5(D) cm | 16(W)×16(H)×2(D) inches TECH SPECS 1×MWGS60A05-P1J (INPUT 100~240VAC@1.4A / OUTPUT 5V@6A) 2×RGB P5 HH-P5-015 WEIGHT UNCRATED: 5.6 kg | 12.13 lb • CRATED: - kg | - lb CRATE SIZE -(W)×-(H)×-(D) cm | -(W)×-(H)×-(D) inches EXPOSURE • PREVIEW BERLIN 2013 CREDITS Yeung Sin Ching 杨倩菁 (performance) • Thomas Charvériat (art direction & technical guidance) • Fabrice Amzel (video animation) • Guan Yan 官彦 (production supervisor) ABOUT Look how over exaggerated she is being. Her extravagant manner is utterly terrible. All that movement cannot be good for her. Is this her way to gain respect, because she isn’t getting any from me? Just because it is dribbling down her chin like that doesn’t mean I will give her a raise. No. No. No. She has got me wrong… huh!? Is she gesturing at me? No, don’t look Trevor you are her superior you cannot get involved. Don’t make it obvious, don’t look at her, ummmm, look at her desk…yes that’s right you are looking for a document. What is in the glass on her desk? Is it white? Stop Trevor Stop that imagination. But what is it? noo Trevor that's too wild.. Its just… its just… MILK! That’s right Trevor just milk... Milk !!?